About Me

The rhythm is precise and constant. The swing floats and insisted: margins are polar opposites and contradictory. Humility on the one hand, awareness on the other. Research and, opposite, complacency. And all translated in painting, the measure, the effort, the moment; and before the pleasure of the brain, the silent continuity without forcing the horizon.

Bertacco could flex the custom and push aside the curtain of the art capital, the one who rises and stands, spellbinding silence. Every day could be the first billboard. The spotlights accenderebbero of a sudden, the theater would be different, the audience in silent sigh: everything better than the applause for the reinterpretation of the replica.

And the audience of admirers waiting Titian, perhaps for a morning or a night, after heated discussions with the friend who wrote to him, to see that work, one that can, that will paint, to take him in her arms as pampering , for the tribute to the great success that it recognizes, the generations that older time and hinder the pace, bound and entwined in a closed society in meandrimanette.

The novel of his characters, made of faces and veils, hinged on pages live voltage, always bound by the clock of existence, tells the chapters of attention sensitive, became anthology of songs of life and turns of our identifying themselves already lived.

And as a young author expects the book mature Bertacco from the moment of momentum without distraction, works without hesitation, force everything.

Art and liberty; but estimate is reasonable. And the appreciation implies then request as a right.

And it inspires you care, it does not matter: we were not, it would still be the time.

Many nights I went to his house and showed me the works that was about to finish (which is quite rare for artists). I explained the techniques, shades, colors, contrasts, backgrounds; made me see how you can paint on a canvas, on a piece of cardboard, on a tablet. In the evenings, as I saw growing work under the eyes, found myself the pleasure of painting that I had had since childhood. The words and gestures experienced artist aroused in me more and more interest and passion for art. Since then the meetings with Titian, though less frequent, they never stopped, so I was able to follow all his artistic rimanendone at every stage fascinated. By distorted figures and a little 'stylized, still lifes, landscapes, to sacred images, objects and environments that remind him of his childhood and youth. And more and all his works, are few objects or complex images, attracted me strongly to him to be admired and grasp in its entirety. My friend, the painter is the color with a precise technique, accurate and with ease, using not only the brush, but also of rollers, squeegees and various other tools. All this allows him to give his paintings nuances and contrasts that highlight extraordinary subjects. Most of his works are so rich in detail that, by the same framework, they might extrapolate other. Titian is a complete artist, who knows how to give to his works, in a great poetic dimension, the expression of reality and life lived. And the light that pervades emanates tranquility of a natural world, within which we would like to penetrate and withdraw.